beyond photographic


Visit Barbara Weissberger’s artist website here.
IMG_8987Barbara Weissberger, rock and red stripes from Collage Formation 2014.

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Barbara Weissberger, double pencil from Collage Formation 2014.

cf silver sail

Barbara Weissberger, silver sail from Collage Formation 2014.

cf hollywood stars

Barbara Weissberger, Hollywood Stars Show Off their Favorite Pillows from Collage Formation 2014. cfwhitepaper

Barbara Weissberger, white paper from Collage Formation  2012.

stacked and wrapped — harmoniously, improbably, united in their disparity. – Sherrie Flick

A study.


See more work by J Bennett Fitts here.
IVJ Bennett Fitts, Untitled from 8 photographs of dead palm trees. 

II

J Bennett Fitts, Untitled from 8 photographs of dead palm trees.  III

J Bennett Fitts, Untitled from 8 photographs of dead palm trees.  VIII

J Bennett Fitts, Untitled from 8 photographs of dead palm trees.  I

J Bennett Fitts, Untitled from 8 photographs of dead palm trees. 

If you like this series, you might also like Saguaro Portraits by Mark Klett here. 

Expanded Field


Kyle Ford’s artist website here.10. 37¡42'54.66"N 119¡40'35.49"W

Kyle Ford, 37°42’54.66″N 119°40’35.49″W from An American Road Trip.

11. 36¡02'52.39"N 112¡05'39.00"W

Kyle Ford, 36°02’52.39″N 112°05’39.00″W from An American Road Trip. 

3638-22.5522N 10849-32.7222W_800

Kyle Ford, 36°38’22.55″N 108°49’32.72″W from An American Road Trip.  12. 37¡43'14.00"N 119¡38'54.50"W

Kyle Ford, 37°43’14.00″N 119°38’54.50″W from An American Road Trip.  4432-05.9722N 11048-06.5322W_800

Kyle Ford, 44°32’05.97″N 110°48’06.53″W from An American Road Trip. 

4843-36.5722N 11343-26.9122W_800Kyle Ford, 48°43’36.57″N 113°43’26.91″W from An American Road Trip. 

3744-23.2322N 11934-15.8022W_800

Kyle Ford, 37°44’23.23″N 119°34’15.80″W from An American Road Trip. 

Critical consensus would have it that the problem today is not that just about anything image-based can now be called photographic, but that that photography itself has been foreclosed, cashiered, abandoned – outmoded technologically and displaced aesthetically. – George Baker, “Photography’s Expanded Field”

Angel of Chance


view more work by Sally Mann here. ds_5

Sally Mann, Untitled 1971.

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Sally Mann, Untitled 1978-1980.lewis-law-5

Sally Mann, Untitled 1974-1976.

Like all photographers, I depend on serendipity… I pray for what might be referred to as the angel of chance. – Sally Mann

All I ask


More work by Lewis Baltz here.0ab0b68ffba8cf33050bb5f175d1f317

Lewis Baltz, Centre Européen pour la Recherche Nucléaire, Geneva, Switzerland 1989-1991. e55b01029366cf458ef76c583484bbfdLewis Baltz, Unoccupied office, MItsubishi, Vitre (FR) 1989. f8e34c5b7af55821da900f0c71f73f5e

Lewis Baltz, Corso dei Lavoro 1992.

lately


lately.cracks glow tree leaves2 subway view subway seat train sky ontheroof

By sight and observation and thought, with the help of the camera, and the addition of the date of the year, we can hold fast the history of the world.  – August Sander

Getting Scorched


Martin Parr’s artist website here. Parr3

Martin Parr, Belgium, Knokke from Life’s a Beach 2001. Parr5

Martin Parr, Italy. Lake Garda from Life’s a Beach 1999. 

I wish I could have gone to the lecture at ICP tonight but am thankful for their live feed.
watch along @ 7pm EST