back to routines


FlakPhoto.com is back after a 5 month hiatus and added California artist, Jesse Chebak to The Collection of 21st century photographers featured on the site.

be37a62f05a96f68-26aJesse Chehak, Untitled from Blame the Sun. 

8ee7ff2a0f31bcce-splash065Jesse Chehak, Untitled from Blame the Sun. 

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Jesse Chehak, Untitled from Blame the Sun. 

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Jesse Chehak, Untitled from Blame the Sun. 

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Jesse Chehak, Untitled from Blame the Sun. 

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Jesse Chehak, Untitled from Blame the Sun. 


View more photographs by Jesse Chehak here. 

 

 

 

is together


Screen shot 2014-10-02 at 8.10.10 PMRafal Milach, Yekaterinburg from 7 Doors. 

Screen shot 2014-10-02 at 8.09.57 PMRafal Milach, Stas, Krasnoyarsk from 7 Rooms.

Screen shot 2014-10-02 at 8.09.32 PMRafal Milach, Achinsk from 7 Doors. 

Screen shot 2014-10-02 at 8.08.56 PMRafal Malich, Yekaterinburg from 7 Doors. 

Screen shot 2014-10-02 at 8.08.47 PMRafal Malich, Saha and Nastya: The only way to die is together from 7 Doors. 

Screen shot 2014-10-02 at 8.11.44 PMRafal Milach, Moscow from 7 Rooms.

View more work by Rafal Malich here. 

Live like July!



view The Miranda July Purse here. 

+ get Your Future twice a week. 

Wish you were there.


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Nate Lowman, Moma Painting 2012

LOW-045sito-58-1Nate Lowman, Apples and Eyeballs: Ghost Painting for Lina Bobardi and Steve Jobs 2011

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Nate Lowman, Bullet Hole Details Guild 2010.

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Nate Lowman, Wish You Were There 2008.

See more work by Nate Lowman here. 

Replaced.


Unfortunately, these jpegs don’t do justice the physical presence of Marco Breuer’s works currently at Yossi Milo Gallery. Large, aggressive and featuring prominent gestures that are usually associated with abstract painting, these large photographs challenge every notion of what constitutes a modern image.

large-marco_breuer-untitled-fuse_dayMarco Breuer, Untitled (Fuse/Day) 1999. Gelatin Silver Paper, exposed/burned.large-marco_breuer-untitled-c-1228Marco Breuer, Untitled (C-1228) 2012. Chromogenic Paper, burned.large-marco_breuer-untitled-c-596

Marco Breuer, Untitled (C-596) 2006. Chromogenic Paper, exposed/scratched.large-marco_breuer-untitled_c_1379

Marco Breuer, Untitled (C-1379) 2013. Chromogenic Paper, burned/scraped. large-marco_breuer-untitled-c-659

Marco Breuer, Untitled (C-659) 2006. Chromogenic Paper, exposed/embossed/scratched. large-marco_breuer-spin-c-856

Marco Breuer, (Spin C-859) 2008. Chromogenic Paper, embossed/scratched.

large-marco_breuer-untitled-fuseMarco Breuer, Untitled (Fuse), 1995. Gelative Silver Paper, burned.

As the idea that everyone is a photographer (thanks, iPhones) spreads and photographs become merely images that are viewed on a screen, (talking about you, instagram) is it not wonderful to see the photograph reduced back to its most primal form? The Photograph as object, as evidence of a single event; created through the chemical reaction generated from destruction of a photo paper that is slowly becoming archaic.

Like this work? You might like Chris McCaw’s Sunburn series too.

glasses strung


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Spencer Finch, The Moment When Three Dimensions Become Two Dimensions (Apple Tree, 7/3/10, 9:38 P.M.)02_02_01Spencer Finch, Rest Stop for Extraterrestrials 2002.
Installation in Gattieres, France (UFO Capital of the Riviera). The color of the paint is the average color of all stars in the universe.

2014-05-2273616-1Spencer Finch, Passing Cloud (After Constable) 2014.

Spencer Finch, Biennale 2009 Venedig, ArsenaleSpencer Finch, Moon Dust (Apollo 17) 2009.

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Spencer Finch, Berlin Light Study (Afternoon Becomes Morning, Morning Become Afternoon) 2013.

Spencer Finch’s Website.

Here I Go Again


lately.ballpark walls themannequin window SP sundown