traveling local


 I have been MIA the past couple days because I took a short but jammed packed trip to  my favorite place in the world, Arizona. Even though I am quite outspoken about my detest for Instagram photography, I decided to give the app a try and document my trip using it. I don’t think my opinion has changed much, although it does make my photos look “cool” and more nostalgic.. I still find people who use it and think they are the greatest photographers ever… irritating.

Either way  I spent the weekend embracing all of my favorite local spots (minus mellow mushroom but hey, I only went there for my favorite local beer) I love Phoenix’s personality and really believe Local is always better. 

Bloody Mary @ RnR

Texas follows me.

friends @ Cafe Boa

lunch @ Pane Bianco

Papago Brewery Orange Blossom @ Mellow Mushroom

Gregory Crewdson @ Phoenix Art Museum 

Sticker @ Cartel Coffee Lab

the greatest burger ever @ Valley Ho

Yoga @ Yoga Nirvana

my last time in Kusama’s Firefly room @ the Phoenix Art Museum for a while.

life imitates


Yesterday, I attended the fashion gallery opening party for the Giorgio di Sant’ Angelo  retrospective at the Phoenix Art Museum. The colorful show highlights the American designer’s most revolutionary looks spanning from the 1960s to 1990′s. From the feathered-earings, brightly bold scarves, ahead of their time body suits, and beautifully detailed gowns, to the backdrop of blown up vintage Vogue covers, this show proves how innovative and influential Giorgio di Sant’ Angelo truly is.

Go check it out.

 

 

 

don’t let them say you’re too young


I thought I’d share one of the newer pieces acquired to  Phoenix Art Museum’s collection this past year.

Sui Jianguo’s Jurassic Age references both China’s communist society and highly active role in product fabrication which sparked the country’s economic flight. I love the little Made in China emblem on it’s chest and think it’s an exciting addition to the museums permanent collection.

good news


tomorrow I am braving the lightrail to venture downtown for a couple art shows. First I am going to check out Sean Deckart’s sim·u·la·crum at AE England Gallery, then I am going to head down to Eyelounge to see Michael Max McLeod’s Misc. Romance (both are former classmates of mine). I’ve heard a lot of amazing things about these shows and I am excited to finally see them. After its off to my favorite place, the Phoenix Art Museum to see the two new photography exhibitions. The Bridge at Hoover Dam: Photographs by Jamey Stillings and Bare Witness: Photographs  by Gordon Parks.          then I’ll probably stand with the fireflies for a while..

I’ll let you know how it goes. what artthings are you doing this weekend?

Shout Out


This morning as I was checking my mail and surfing the web for my morning art and news update,  I ended up at Peter Bugg’s website. Bugg just completed his MFA in Photography at ASU and is exhaustingly active in the Phoenix Art scene, with good reason. His work explores consumerism and the modern celebrity. He is constantly provoking questions about identity, control, and the distorted version of reality that our society has adapted too through an unhealthy obsession with Hollywood Culture.
Thats all I will say because you should go to his website and check out his work there.

If your in town, head down to the ASU Art Museum (the faux-childhood playing card dispensers near the downstairs bathrooms, actually dispense  celebrity royalty at various stages of their own notoriety. Other wards, Bugg has allowed us the exciting opportunity to collect official playing cards of Britney Spear’s Nip Slips and Lindsay Lohans Crouch shots. Genius.

Whenever you’re free, you’re free.


“Boarding the plane today I was a head full of noise. Forced to process some everyday business disaster in the midst of what I’d intended to be a peaceful slipping away; A quiet departure from the brutal, beautiful capital of my endlessly expanding homeland. I felt myself disengage. With my thumb to the red button, pre-flight beverage in hand, and the routine safety belt check nearly completed, my digital Walkman emerged. Discretion is key in moments like this. You know what you need; you need songs. You know how quickly those songs can be taken from you if you aren’t realistic about the potential dangers of rigid flight attendants. You also know how good it feels when a taxiing plane transforms into a metal-winged miracle as you, eyes closed, sit, scoring the soundtrack of your great escape. It’s these moments that inspired everyday people to create moving pictures and sprawling canvases and symphonies. It’s these moments where you, being entirely present for however brief a time, IS in fact, art. With the right Lens, Melody, Paint Brush, Math equation it could be defined and reproduced for all of humanity to understand. How perfect that my cautiously adorned headphones lead me not to hassle, but instead to “Us and Them”. A track, that to me, largely defines the overriding theme of Pink Floyd’s, Dark Side of the Moon album. Somehow, it manages to speak equally to the malaise of a morning interrupted as it does to the general state of the human condition. (At least some human’s condition, I’m guessing). This is the stuff of real art and real music. Dissection. Exploration. Pop music with teeth, an experiment in human behavior and sound. What a fulfilling listen. Drifting off into the daytime, so far from my self-appointed capital, just a slingshot to the future.”- Andrew McMahon, Jack’s Mannequin blog, 06/12/2009

Jack’s Mannequin illustration from http://bit.ly/bY7rNA

In my contemporary seminar class we have been reading a lot of art theory. Now, this class is pretty intense as it’s a small graduate level 3-hour discussion that meets once a week led by Dr. Sara Cochran, Contemporary Curator at the Phoenix Art Museum. Can you say intimidating? Honestly it hasn’t been too bad, I have managed to keep on top of my reading, engage in the turbulent conversation a decent amount, and Sara keeps walking us through the museum telling us about her choices of art pieces and why she decided to put them there. (favorite part!!)

So far, our readings have focused around how to define the language and function of contemporary art along with the various settings and sites it can function in. Simple enough, maybe. Probably not. This quote reminded me of a debate we have about relational and collaborative aesthetics. This is art that is made up of a conversation or of a social group effort. It can be a moment in time, something that only happens at a specific place and a specific time. It can be a collaboration between a gallery and an artist: that collaboration creates a certain conversation that is separate from the actual object, that is art in it self. It can be a social experiment, through community and art. Such as two artists calling a community to participate and contribute equally to create an art piece together.

So the beef my class had with these idea pretty much went like this: Can a moment in time be a work of art? How do you document it? Do you document it? Does it only exist once for those people at that moment and never again? Is everyday life art since moments and conversations can count? What happens when the aesthetics become words,feelings, and time? What is art with out tangible aesthetics? and then once we could (kind of) sort all of that out, where does this kind of work fit? What do you do with it?

Don’t get too excited. Your not getting all my answers to these questions. I think it’s something you got to think about yourself, I will say my class was split into two groups that we referred to as “The believers” and “non-believers” in which I am sure you can figure out where I probably lie. Either way, My point is that I came home from this exhausting debate to read this quote, by Andrew McMahon, my hero in the most admittedly cheesy but sincere way. And it just resonated with me. I think because I’ve had this moment before. Driving away on an empty road, windows down, hair flying, music playing perfectly in harmony with the moment and the feeling. Life just feels free, and I remember in those moments, I do, I do feel like art.

Just some more quotes I wrote down from classes..As always please feel free to leave to leave comments. I’d love to know what you think.

“Art is about a conversation, and about engaging in that conversation.”- Dr. Sara Cochran.

“Think about what the meaning is, and then how to express that.”- Betsey Schneider

Long Time No See


In case you haven’t noticed, I took a much needed vacation from..pretty much everything. With school out and summer hot I am quite okay saying, that I have been doing absolutely nothing for the past 3 weeks and I won’t lie, It’s quite exhausting doing nothing. But my life of leisure and the pool is indeed coming to end, or rather at least a very sufficient cut down. Tomorrow summer schools starts and my internship begins shortly after. I am being brought back down to reality, therefore, I will start again with frequent blogs.

I am looking forward to showing the work I will be printing in my Color Darkroom class and with summer free time I will for sure be seeing tons of art and movies. Talk to ya’ll soon!

Plug


It’s a week for photography here at ASU, so I thought it would be appropiate for me to advertise for  the exciting photography shows that are going to be up on campus this week. The first is another BFA show at Gallery 100, called “Exposure,” the second is a student curated show called “Two-Fold” at Step Gallery  and the third is a top secret surprise show at North Light Gallery.

“Exposure” is a BFA show at Gallery 100 that features the work of 8 students here at ASU. I am especially excited about this show because three of my friends are in this exhibition. I met Sarah Waite, first semester Freshmen year, in my very first photography class at ASU. Since then, we have taken a class or more together every single semester. Throughout the past four years, we have really watched each other grow as artists and her work is so refreshingly  clever. (One day I will post pictures of her last photography project using candy in real-life scenarios) However, the work she has up at Gallery 100, is pretty much awesome. She has been photographing regular things, but transforming them into these beautiful and mystifying scenes that replicate outer space. There are a couple things I really love about these images, they are just so dark and colorful. These landscapes don’t present a space that is isolated and full of inter-galatic space crafts,but rather a colorful and mystical, naturalistic outer space. The kind of breathtaking unknown, that you wouldn’t be terrified to find yourself in. I also love that she is creating these imagined images of another world, from traces of our world. She transforms a coffee cup into a heated planet and an oil spill into a purply milky way.

Sarah Waite, C8H10N4O2 Hydros Gas Giant

She is not only creating intriguing photographs but is re-defining our perspective of the ordinary objects we see every day.

Kelly Griffin also has taken a couple of photography classes with me and I can confidently say I have never come across anyone else who uses color and light so perfectly. The work she has up this week is all about night life, and I really do love all the colors and moments she captures. The series is one-part highs and lows of college-life insanity and one-part eery and unsettling. It’s some kind of unattainable dance, photographs you can stare at forever and come up with a handful of different scenarios.

Kelly Griffin

And that’s what I like about her work, she is so good at giving just enough information to let the meaning become unimportant enough to let the visual elements of the photograph overpower your sight.

Teresa Velencia is the third person I know in the BFA show, and she has been creating gigantic collages of the process of getting a tattoo. She basically has been spending all of her time at Club Tattoo, photographing people and the space as they get inked. The mere size of these images are intriguing and she does a great job at capturing the atmosphere and the moment.

“Two-Fold”, is a student curated show at Step Gallery featuring photographic alternative process work by Megan Chain, our photo club president, and Ester Lee. I have had classes with both of these girls, and although I haven’t seen the work for this particular show, I know by their reputation alone, that this is going to be a very impressive exhibition.

And the third photography event this week, is actually super top-secret. But I highly doubt this teacher will be googling his name between now and tomorrow, so I am going to let you guys in on the surprise.. but shhh. Jim Hajicek has been teaching at ASU for many, many years. He specializes in non-silver photography and has been super valuable to the photography program. He is retiring this year and has donated many prints and books to  the Northlight Gallery collection. As a way to honor his accomplishments, Liz, my teacher and director of Northlight Gallery, has managed to collect a wide variety of his work over the past 50 years, including his graduate thesis work. Over this past weekend my class worked super hard to hang this work in the gallery. Tomorrow night, is the reception and I can not wait to see his face when he sees this retrospective honoring him, in the same building that he has spent working for so many years.

All three of these exhibitions will be having receptions Tuesday, 4/20, from 6-8 pm. They are all located on campus and if your in the area please come out and support!

Come One, Come All


The photographs are printed, matted, framed, and hung. The lights have been set. The food has been bought. All that’s left is for the clock to strike 6 pm tomorrow, (Tuesday March 23), for the reception of Persisting Events to begin. So, for the last time I am going to give you a couple more reasons to come out and support the ASU Photography program and check out some student work!

Persiting Events is a senior group exhibition featuring 7 photography students at Arizona State University. It deals with the individual subject matters that has dominated our work, as well as continue to persist upon us the change and ideas that we are developing as artists. Each day transforms into the next, making us examine the causes and effects of our lives. Isela Wong challenges us to think about how a marriage changes once the kids have grown up and moved out. Scott Snyder shows the consistencies within our days, a half eaten apple tossed on the ground one day, is photographed by another student, which is then re-photographed completing some kind of harmonious connection within his wall of 100 gridded photographs. Danielle Savedra shows the power of God in her collection, Naomi Spears replicates grafitti art, while Laura Spittler explores spiritual death and the scientific process of documenting forensics. and my work questions the effects toys have on the kids playing with them.

So if that didn’t convince you… Here is my

Top Ten Reasons Why You Shouldn’t Miss This Show

10. This is our senior show, so for many this is our last body of work as students and its shows what we have learned and how we have grown.

9. There will be sparkling punch, cheese, hummus, crackers, fruits, and cookies!

8. It’s an excuse to look nice and socialize with the artists in the area

7. The ASU Art Museum, Step Gallery, and Northlight Gallery are all open late on Tuesday’s too, so you can do a mini art walk

6.  You have nothing else to do on a Tuesday night.

5. It’s right off Mill which offers many places to eat and drink before or after!

4. Looking at Art is good for the Heart!

3. You Love me.

2. We put A LOT of time and work into the success of this show.

and Reason Number 1. You don’t want to miss Scott Snyder‘s wall of 100 4×6 Photographs recording his day to day life over the past two months, Pattie Harmdierk‘s psychedelic and vibrant huge color photographs, Laura Spittler‘s exploration of death and her artistic take on  forensic photography documentation, Danielle Savedra‘s wall of her involvement with her Church, Naomi Spear‘s graffiti inspired images, Isela Wong‘s profound and engaging portraits of her parents, and My work depicting miniature toy soldiers and the relationship they form with excerpts written from my brother who is a 2nd Lieutenant in the U.S. Army!!

Campus Map, Locating Gallery 100

* The Reception is at Gallery 100, located on the corner of University and Mill in the same red building as Saks Sandwhiches. It is a come and go, that will begin at 6 and end at 8! Please ask if there are any other questions!

Tester Bunny


Recently a girl in my class created some body portraits using the camera built into her MacBook Pro computer. Her project challenges the credibility of our medium and our art.  With the boom of technology creating a photograph is not only much more accessible, but it also transforms everyone into an  artist, it has created competition.  This has led me to this new project I have been working on. For the past week I have been using my Iphone as my primary camera, even editing my photographs through an application offered. This changes the way I work, the way I create. Although I try to carry my SLR camera with me, my Iphone is much more convenient. My editing process has been reduced to a couple minutes directly after the moment, rather then hours spent on photoshop or in the darkroom dodging and burning and color correcting. My true challenge is making the connections between each photograph through a conceptual bond. I have no clue what I am going to do with this project or what it is for, but for the time being I am really interested in some of the products. Here is some of the work I have done so far. Please let me know what you think, Comments are always appreciated!

First Triptych, Jacque Donaldson

Familiar Diptych, Jacque Donaldson

Favorite Triptych, Jacque Donaldson

Wonderfu-L


When I was eight years old, I was informed that I would be abandoning everything I had ever known. I know, this is the most dramatic way ever to address the subject of moving, but as a savagely tan and tangly haired 2nd grader who loved the Arizona heat just as much as her imaginary cloud-shaped world “Cat Land,” this news was about as shattering as it got. I remember sitting in my backyard, staring out at the golf course that I spent so many child nights playing flashlight hide N seek and TV tag on. Through my wide innocent eyes I tried to soak it in, carve everything about what I had known into my brain, to remember always. I had to remember always.

I had this tiny little cactus in a miniature pot that sat on my windowsill in my room. I debated and debated, to either take it with me for the big move in case Oklahoma didn’t have any, or to plant it. Even as a eight year old, I was taken by the idea that I could have this little thing, this little plant,  that I could leave behind to grow and live, and wait for my return.

Photograph by Jacque Donaldson

Things We Leave Behind, Jacque Donaldson

And oh, what a joyous reunion it would be, for me to come back years later, decades maybe even, to find it there fully grown and strong. An old friend to say “Hey, it’s okay that you left,things kept happening and though it may have been lonely, you made it. We made it. Everything is okay. ” I decided to plant it in my backyard, very near a fully grown Cactus, you know, in case it got lonely or needed some guidance in growing.

I would be lying to say I haven’t already known the outcome to this story for years now. Each time I visited Phoenix growing up, we would drive through the ol’ neighborhood and without fail I would check the side backyard. Of course it didn’t survive, it was a novelty cactus, the kind you pick up in a gift shop meant to endure it’s entire short and cheap lifespan in a painted plastic pot. But that never stops me from coming back to that old house, to just look, and wonder, and hope and remember.

I bring this up because it’s something that has been on my mind a lot lately. My constant desire to leave an impression, my fear of missing out, and being forgotten; My unwavering faith that somewhere along the line, I could be surprised, and realize that what I’ve done, it has mattered, to someone somehow. I have become accustomed to adapting, to not looking at change in location as a devastating lost but rather as another opportunity to leave something lasting behind. I know that my little cactus has been gone for a long time, that it will never spring up, but that’s okay.

Life happens and sometimes the things we leave…They leave us too.